Aroma Coffee Roast

John presiding over his demesne

Last week, when I was writing my wineberry article, I mentioned Aroma Coffee Roast. In my first draft, I wrote something like this.

This morning I was sitting at Aroma Coffee Roast…

What? You don’t know Aroma? OK, stop reading this and go there right now. I’m serious. This column is about local color, and for that you can’t do better than Aroma. Think “Cheers” but with coffee instead of beer.

I deleted this long before the final draft because, even at its best, my writing is too self-indulgent with its cute little elliptical asides. Also, the statement was overdrawn. You don’t have to check out Aroma Coffee Roast. Aroma might not be your kind of place. But let me tell you why it’s my kind of place.

When I walked into Aroma for the first time I was only looking for information. My neighbor had asked me to start walking her rescue greyhound, so I wanted to know about any special needs the dog might have. I heard that the people at Aroma were dog lovers, and that I should talk to John about Diana, an Aroma regular with a rescue greyhound.

Well, I eventually met John, Diana and Dash the greyhound. But long before then, I was hooked on Aroma. One reason was the tea. Another was the internet connection, which is so fast that I can get a lot more web development work done there than at home. But if caffeine and Wi-Fi were my main priorities, I’d go across the street to Starbucks. Heck, at Starbucks I’d pay less for refills and I’d be able to plug in my computer. No. The draw of Aroma isn’t that easy to define.

To tell the story true, I have to take you back to the beginning of December, a few days after I’d started hanging out at Aroma. I was walking to the Larchmont Library, and I met a dog owner at the corner of Chatsworth Avenue and Boston Post Road. We got chatting about dogs and, since so many dog lovers frequent Aroma, I asked him if he went there. He said “No, I don’t go there. I think the owner is a body part.”

He didn’t actually say “body part”. He said the word for a particular body part. You can guess which one.

Now here’s the thing: I didn’t disagree with him. At the time, my impression of Dave was “Now there’s a guy who absolutely does not care what anyone thinks.” Calling Dave a body part might have been a bit harsh, but I could see it.

I don’t see it so well any more. Over the last few months, my perception of Dave has transformed. I could cite a lot of little things, but there’s a single story that tells it best.

One day in January I walked into Aroma with Livy, a lovely Shiba Inu I was dogsitting at the time. Having lived in Brooklyn, where I saw many people hang out in bars with their dogs, I didn’t realize it was against health codes to bring a dog in. Dave told me I couldn’t stay there with the dog, and he was very apologetic. This man, whom I’d labeled Least Likely To Care What Anyone Thinks, was apologizing to me for asking me not to put him at risk of a health code violation.

That’s Dave all over. At first glance you may see a guy who doesn’t care. But keep looking. Listen to him talk about his dogs and cats, and about his passion to stop cruelty to animals. As he yells about a mistake one of his young employees made, listen for the fatherly affection beneath the yelling. You may catch glimpses of a guy who, if anything, cares too much.

And now I need to take you from Dave the owner to John the manager. How the heck can I do that? I feel like I’m narrating a nature show and I have to cut straight from a honey badger to a koala bear. How can I build a coherent narrative segue from one animal to the other, let alone describe the unlikely harmoniousness of their relationship? I know! I’ll use a beer analogy!

Odds are, you’ve never had barleywine. It’s a style of beer not widely known, and I’ll tell you why: it’s an acquired taste. And I don’t mean an “Is it just me, or does that have a bit of an edge to it?” acquired taste. No, I’m talking about a “Why is the ceiling spinning and, come to think of it, why am I looking at the ceiling in the first place?” sort of acquired taste. It took me years of drinking successively more potent beers to acquire a love of barleywines, and even I wouldn’t want to drink a barleywine every night.

Dave is a barleywine.

Do you have a desert island drink? Maybe for you it’s a red that you love to drink with anything regardless of what the wine guides say, or an imperial stout that you love so much you’ll drink it in high summer. For me, it’s a Belgian saison, or farmhouse ale. Saison was my first beer love, and it’s still my desert island beer. I could drink saison any time, any place, from the top of an Adirondack mountain on a night when the temperature dips to -30° to the edge of a barbecue pit during a 110° heat wave. Saison goes with anything.

John is a saison.

Saying that John can talk to anyone would be like saying that Louis Armstrong had a pretty good ear for music; it criminally understates the scope and depth of the talent. I can talk to anyone; it’s a point of pride with me. But compared to John, I’m bush league. John doesn’t just remember everyone’s name. He remembers everything about them. And that’s just the start.

Unlike me, John can hold his own in the most intense sports conversation with Dave. But then he’ll shift like mercury back to an enthusiastic conversation he and I were having about bluegrass, hot dogs or beer. Then a mother will walk through the door with her three-year-old, and within moments John will captivate that child like the coolest uncle on the planet. John makes it look easy. John is a force of nature. I think John could own the world if he wanted to, but that would interfere with his concert going.

To convey what’s special about John as a manager, I need to step out of Aroma for a moment, and walk down the street to a restaurant. You know the type: the one with the manager who comes out, all smiles, acting as though he’s excited to see you. He seems to be genuinely concerned about every aspect of your life. Paradoxically, that makes him seem less genuine to me. He can’t care about your life, or my life, that much, because then he’d have to care about every customer’s life that much, and there’s no way he could afford that while doing the amount of work required to make a restaurant succeed. It makes the whole situation seem forced, and a little creepy.

Now, back to John, who has a business to run. He needs customers. And if I’m any judge of people, it ain’t the coffee that keeps ‘em coming back; it’s John. He’s a performer, and he knows it, and he lets you know it. The performance is just extravagant enough to make us feel like we’re all in on the joke.

So tomorrow morning, if I walk in the door to Aroma wearing a T-shirt from 1982, John will comment on it. Our conversation will progress organically to, say, “Anchorman”, a movie we both adore. At some point he might change the music playing on the stereo to the bluegrass I love so much. He’ll make me feel special. Then he’ll move on to the next person and make them feel special. And as he works his audience, his whole bearing carries not only a nod, but a wink. The respect implicit in that wink makes me believe John cares more about my life than does the restaurant manager.

But enough about Dave and John. Together they compose the heart and soul of Aroma, but they’re not the only attraction–not by a long shot. There’s a whole not-heavenly host of definitely-not-angels populating that narrow room, so put one foot in the door and you’ll meet the choir.

You’ll meet a snappy dresser with a resonant baritone voice who not only works on classic cars, but hires them out to movie sets. He’ll tell you all about friction coefficients of different brake systems, and about the personalities of different actors. He’s currently driving a car for the Coen brothers on the set of their latest movie.

You’ll meet a shaggy fellow who will ask you if you’d like to read his poetry. If you’re like me, you’ll say “Yes” just to be polite–at first. But sooner or later you’ll find yourself surprised that his words touched you.

You’ll meet a sweet, funny mother of three with tinkling laughter. She’s probably about half my weight, and if half of what she tells me about her martial arts training is true, she could kill me with one hand while making a strawberry daiquiri with the other.

You’ll meet a laconic young man who recently had his hit song played during the Superbowl, and has another hit song on the way. He comes in with his wife and their adorable toddler, who munches on bagels as he explores the adoring microcosm of that narrow room.

You’ll meet a carpenter who’s also a barleywine, an immaculately-dressed lawyer with an acerbic sense of humor, a friendly man with an impishness dancing behind his soft-spoken exterior, and a kind, helpful man of consistent cheer and endearing earnestness.

And you’ll meet a guy who may not even notice you when you first walk in the door, because he’ll have his head buried in his computer. If you call him “skinny” he’ll look around in confusion and then back at you with a “Who? Me??” look on his face. He’ll probably seem to you like an odd duck. That’ll be me.

I had to take you down that line of faces to convey what’s special about Aroma. It’s not just Dave, it’s not just John and it’s not just Dave and John. It’s not any one of those characters. It’s in the way they fit together into a unique organism, and the way that organism treats everyone it encounters with crotchety equanimity.

Aroma is more than just “Cheers but with coffee instead of beer”, and for a week I’ve been trying to figure out a way to convey the distinction. I think I’ve found it. Here it is.

If you go into Aroma, you won’t be treated like a king.

But neither would a king.

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Wineberries

This morning I was sitting at Aroma Coffee Roast, drinking my tea and tinkering with a website as usual. Jack noticed the stevia sweetener sitting on my table, and we got talking about sweet and tart foods. He loves tart flavors for their own sake, whereas I tend to see them as an accompaniment and counterpoint to sweetness. He likes apple pie with no added sugar. I’ll talk your ear off about the importance of adding just enough sugar to offset the tartness of the near-obligatory Granny Smith apples.

The conversation moved on to other kinds of tart pies, such as strawberry-rhubarb and my all-time favorite, strawberry-raspberry-rhubarb. Then I started talking about wineberries. This was a lot less unlikely than you might think. Actually, it’s hard to get me to stop talking about wineberries.

The wineberry is a Japanese cousin of the raspberry, and it does very well for itself right here in Westchester. As an invasive species it may not be fondly regarded, but I can’t help but smile at the red undertones it splashes onto the landscape. The stems arc through the bracken, loosely stitching their way over the dun cheerlessness like a gravity-defying garland. If you take a walk in the Marshlands Conservancy on a sunny day, like my wife and I did last weekend, you’ll see something like this.

I love the way the sunlight refracts around the million little red spines on the stems. But my appreciation is by no means purely aesthetic. Wineberries ain’t just pretty to look at. They’re good eatin’.

Back around 2005 or so, after Grace and I moved to Millburn, New Jersey, we noticed the berry bushes with red stems growing all over South Mountain Reservation. Eventually we looked them up, and found out that they were called wineberries. And the more I looked at those tantalizing red berries, the more I wondered if they were OK to eat. I did a little research online, found a wineberry pie recipe, and that cinched it. We had to try them. We grabbed some buckets and went berry-picking.

Well, we came back with quarts of those berries, but not as many as we would’ve had if I hadn’t been eating them by the handful as we picked. Wineberries are delicious. The taste is similar to that of a raspberry, but the sweetness is less flamboyant and the tartness more pronounced. And to me, that means one thing: PIE!

After a year or two of hand-to-mouth enjoyment, we managed to save enough berries from our ravening mouths to fill a pie crust. This was the result. The yummy, yummy result.

From Wine Berries and Spiders and Wine Berry Pies – July 12, 2008

The year after that, the wineberry bushes seemed to be taking over South Mountain Reservation, and we took advantage of their abundance. If we’d had a chest freezer, we could’ve filled it with them. As it was, we returned home with all the berries we could carry. And we were very merry. Because we served them with dairy… OK, I’ll stop. Anyway, this is what the pie-making process looked like.

Grace and I had always made our pie crusts with vegetable shortening, but she’d been itching to try a butter crust. This turned out to be not just a good idea, but a Good Idea. See, a butter crust can be a bit overpowering, but with a filling that tart to offset it? No problem! The contrast between the pucker-inducing berries and the rich, flaky crust was magnificent.

If you want to set yourself up for some of that magnificence, or if you just want a splash of color to perk up the drooping tail of winter, hit a trail and look for those telltale fuzzy red arcs. The Marshlands Conservancy is an ideal location right now because the American woodcocks are in the middle of their breeding season. Go there at dusk and get two for the price of one; watch the sunlight play on the stems, and watch those absurdly cute little birds showing off for the ladies.

You can also see plenty of wineberries on the Colonial Greenway, especially in the woods near Reservoir Number Two, just a hop, skip and a jump from New Rochelle High School. Ward Pound Ridge Reservation, one of my favorite places to hike, is thick with them. Whatever green space you choose, look for the wineberry bush. Get to know it. Because sometime around the fourth of July, those berries will ripen to a glossy red. If by then you’ve found a place where it’s legal and safe to pick them, you’ll have a source of delicious pie.

If you want a recipe, see below. It’s the rhubarb pie recipe from my treasured 1972 edition of the Betty Crocker Cookbook, with wineberries substituted for the rhubarb. Don’t forget that butter crust! And, since wineberries are less tart than rhubarb, you may want to use a bit less sugar. Or no sugar at all, if you’re Jack.

Wineberry Pie

9-Inch

1 1/3 to 1 2/3 cup sugar
1/3 cup all-purpose flour
1/2 teaspoon grated orange peel, if desired
4 cups wineberries
2 tablespoons butter or margarine

10-Inch

1 3/4 to 2 cups sugar
1/2 cup all-purpose flour
1/2 teaspoon grated orange peel, if desired
5 cups wineberries
3 tablespoons butter or margarine

Heat oven to 425. Prepare pastry. Stir together sugar, flour and orange peel. Turn half the wineberries into pastry-lined pie pan; sprinkle with half the sugar mixture. Repeat with remaining wineberries and sugar; dot with butter. Cover with top crust which has slits cut in it; seal and flute. Sprinkle with sugar. Cover edge with 2- to 3-inch strip of aluminum foil to prevent excessive browning; remove foil last 15 minutes of baking.

Bake 40 to 50 minutes or until crust is brown and juice begins to bubble through slits in crust.

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Hugh & Grace’s Guide to Pie Crust

From Wine Berry Pies – July 26, 2009

“What’s the American man’s favorite dessert? Most people would agree–it’s pie. And heading the list is apple pie. Followed closely by cherry pie and peach pie and lemon meringue and a lot of others. If you care about pleasing a man–bake a pie. But make sure it’s a perfect pie. How? Simple. Spend a little time with this chapter; pick up our sure-fire tips for flaky pastry. Then try one of our recipes–family-tested and guaranteed to satisfy. What more could you ask of a dessert?”

–Betty Crocker’s Cookbook, 1972

The recipe below, from the 1972 edition of Betty Crocker’s Cookbook, is the only crust recipe I’ve ever used. If all of our notes seem overwhelming, just ignore them and focus on the basic recipe during your first few batches. You’ll do fine. Although it can be time-consuming, making your own crust is not difficult.

One important note: If it’s a pretty crust you want, look elsewhere. My crusts are not the prettiest in the world, and I don’t care. You know those beautiful crusts you see on the expensive pies sold at the market? You can have them. I guarantee you that my crusts are far flakier and tastier than any of them, and that’s what counts.

Pie Crust
(for a 10-inch, two-crust pie)

2 2/3 c. flour1
1 tsp. salt
1 c. shortening2 and/or butter2
7-8 tbsp. cold water1

  • Measure flour and salt into a bowl. Cut in shortening thoroughly.3 Sprinkle in water, 1 tablespoon at a time,4 mixing until all flour is moistened and dough almost cleans side of bowl5(1 to 2 teaspoons water can be added if needed).
  • Gather dough into ball; shape into flattened round6 on lightly floured cloth-covered board.7 (For two-crust pie, divide dough in half and shape into 2 flattened rounds.) With floured stockinet-covered rolling pin7, roll dough 2 inches larger than inverted pie pan. Fold pastry into quarters8; unfold and ease into pan.
  • For one-crust pie:Trim overhanging edge of pastry 1 inch from rim of pan. Fold and roll pastry under, even with pan; flute. Fill and bake as directed.
  • For baked pie shell:Prick bottom and side thoroughly with fork. Bake at 475 for 8-10 min.
  • For two-crust pie: Turn desired filling into pastry-lined pie pan. Trim overhanging edge of pastry 1/2 inch from rim of pan. Roll second round of dough. Fold into quarters8; cut slits so steam can escape. Place over filling and unfold. Trim overhanging edge of pastry 1 inch from rim of pan. Fold and roll top edge under lower edge, pressing on rim to seal; flute. Cover edge with 2- to 3-inch strip of aluminum foil to prevent excessive browning; remove foil last 15 minutes of baking.
  • Note:If possible, hook fluted edge over edge of pie pan to prevent shrinking and help keep shape.

HUGH & GRACE’S NOTES

1We seem to get better results when the flour and water are cold. This is probably because the lower temperature helps keep the gluten in the flour nice and sedate. Since we keep the flour in the freezer anyway, it’s a no-brainer for us.

2My mother used lard. Any experienced piemaker will tell you that lard tops shortening every time. I don’t use lard because it just freaks people out here in the northeast.

Up until a few years ago we used only Crisco, but during the last few years we’ve become fond of butter crusts. If you’re going to try a butter crust, there are a few things you should know. Most importantly, butter melts quickly, which increases the difficulty of judging the dough’s consistency and rolling it. You have to work fast or the moistening dough will tear itself apart as it sticks to your rolling pin. Also, butter is rich. You have to make sure that richness doesn’t overpower the contents of the pie.

Another problem with making butter crusts is that they tend to come out more dense and less flaky than vegetable shortening crusts. Flakiness is of near-paramount importance to me, so that’s a hard hit to take. But my daughter tipped me off to a solution: use half butter, half vegetable shortening. The butter contributes its rich flavor, and the vegetable shortening makes the crust flaky. And boy, was she right! worked like a charm. So half butter, half vegetable shortening is my shortening of choice.

3I cut in the shortening with a pastry cutter, an extremely useful multi-bladed tool. If you don’t have one, just hold two or three knives together. Cutting the shortening with blades minimizes the amount of kneading. That’s important because kneading activates the gluten in the flour, making it heavy and sticky instead of flaky. The steps that follow also minimize kneading or pressing.

4If possible, have a friend sprinkle in the water while you turn the dough with your hands. The dough will start to cling together as you get near the right amount of water. But it should not get to the point that it clings together easily — it’s too wet then!

5Recognizing when to stop adding water is the most important part of this process. Because the amount of water needed will vary wildly with humidity, it’s also the most difficult. Pay attention to the consistency of the dough, always feeling for that sweet spot when it’s just moist enough. Be patient, and err on the side of dryness! When you think you’re getting within a tablespoon or so, stop and wait thirty seconds between tablespoons. Once the water has had a chance to soak in you may realize you don’t need any more! It will take you a few batches before you get it right, but one magic day when you actually feel your fork crunching through multiple substrata of a single layer of crust, rasp the crust delightfully between your teeth, and taste the sublime results of your labors, you’ll know it was worth it!

6Attempting to roll out a flattened round drove me crazy during my first few batches. If the dough is just wet enough to clean the sides of the bowl, as it should be, it will not roll out evenly or smoothly. It will crack. Don’t worry. Later, after you get the crust into the pan and trim the edges, you’ll patch the cracks with the leftover pieces. For now, just do your best to roll it into an approximation of a circle by alternating your rolling direction: now from side to side, now back and forth. The thickness is up to you; for me it depends a great deal on whom I’m serving. Although I get many complements on my crusts, I still find scooped-out, uneaten crusts at the ends of some parties. I attribute this to the rampant carbophobia in the New York City area. As a result, I tend to make thinner crusts nowadays.

7I don’t bother with any fancy cloth-covered stuff; I simply use flour to prevent sticking, as my mother did. Find a flat rolling surface, sprinkle flour on it, put the dough down, sprinkle more flour on the dough, and roll.

8Here’s where I feel that Betty Crocker contradicts herself. I only fold my crusts in half before dragging into the pan. Show me a crust folded neatly into quarters and I’ll show you a crust that’s too moist.

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Urban H2O Concert Series

Here are two versions of the first video I shot for Beczak Environmental Center.

I used the embed code from YouTube to display the video below, so it looks the same as it looks on YouTube.com. As Mark speaks, white text boxes pop up. You can click each one to see a musician’s YouTube video. I created these links using YouTube annotations.

This second version of the video has a button on the top linking to urbanH2O.com. Since YouTube annotations can only link to YouTube content, I used LinkedTube to get the embed code. LinkedTube is limited to a single external link per video. It’s not ideal, but it’s a lot better than no external links at all.

<a href="http://www.linkedtube.com/ppJdtPXc100b58922514349f0709276749989a74f02.htm">LinkedTube</a>

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Testimonial

I’m always bragging that not only do my niece and nephew enjoy hiking with me on the Link Trail, they practically beg me to take them hiking on the Link Trail specifically! Here’s proof.

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Fun with the Kids along Canastota Creek

Before we played “Three Billy Goats Gruff” with the kids, we had fun hiking to Canastota Creek, not to mention playing the simple game I’ve played with my daughter for seventeen years: “Throw the stick from the upstream side of the bridge and watch it appear on the downstream side.”

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Teaching Dylan and Abby about Seed Dispersal Techniques

Here’s my favorite thing to do with kids: take them out in nature and hone my translation skills.

I have an engineer’s vision of natural processes as being cut from the same cloth as heat transfer and osmotic gradients. I think of seed dispersal and root branching in terms of entropy and suface-area-to-volume ratios. But I can’t talk to kids about heat transfer and osmotic gradients and entropy and surface-area-to-volume ratios. I need to fit my vision to their eyes. Between the majesty of nature and the child’s perception must stand an intermediatry: a Metatron whose voice a nascent ear can hear. To be that Metatron is a life’s calling.

I’ve given variants of this speech to Dylan many times during our walks along the roadside. To teach Dylan, and now Abby, the sundry evolutionary innovations in seed dispersal, I speak in terms of mother and child, of animals and fire. Nature has no intent, but I rely heavily on anthropomorphic imagery. A decade or two from now I can explain to them my abstruse notion that evolution doesn’t happen, but rather fails to not happen. For now, I fill their heads with vivid images of nature to lead them to reverence.

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Three Billy Goats Gruff

Engaging Kids With Nature 101
Prerequisites: Grimm Fairy Tales 100

Grace and I drove to Oneida on Thursday morning to spend Thanksgiving with my family. We’d barely gotten our coats off before Dylan and Abby started asking if we were going hiking on the Link Trail. Oh yeah. I’ve got ‘em hooked.

We hiked in from the Mount Pleasant Road trailhead, crossed Canastota Creek, followed the railroad bed for a few hundred yards, and turned around. On the way back, we made a few little movies based on an idea I’d had while crossing the bridge on the way out: “There are four of us. And we’re all different sizes. We have the perfect cast to enact ‘Three Billy Goats Gruff’!”

So we shot these videos with Grace’s phone. There was much giggling. Especially when we started switching up the roles assigned to each actor. My favorite is the last one, in which Abby plays the Biggest Billy Goat Gruff.

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A video survey of my section of the North Country Trail – October 22, 2011

On October 22 I spent a few hours working on the Irish Hill section, the mile and a half which I steward. The trail didn’t need mowing, but I gave it a quick manicure anyway. Happily, there was again no vandalism. I’m hopeful that I’m wearing out the vandals.

There were a lot of branches, and one medium-sized tree, fallen on the trail, but nothing I couldn’t wrestle away. I used a lot of them as trail guidelines. When I got to the Irish Hill end, I remembered a conversation I’d had with a gentlemen who lives just down the road. He had looked down the trail and assumed it went straight. So I arranged some branches to better delineate that first sharp turn, similar to what Steve Kinne did farther on where the trail bends to follow the stream.

On the way back I took the time to shoot three videos, because the leaf color was worth sharing. Here they are. Enjoy.

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Carrying on the Jack o’ Lantern Tradition!


Here are the Jack o’ lanterns I carved with my niece and nephew. I used my time-tested technique of questioning them about the spirit in the pumpkin, thereby drawing out of them exactly how they think the Jack o’ lantern should look so they can carve their vision using my hands. During the last eighteen years I’ve used this technique with my daughter, my Goddaughter, my nephew, my Little Brother, my niece, my friend Jeff’s daughter… there are probably a bunch of other children I’m forgetting. There’s nothing like passing the torch to the next generation.

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